হামিরউদ্দিন মিদ্যা : পল্লী প্রকৃতি ও সম্প্রীতির রূপকার/ Hamiruddin Middya : Polli prokriti o Sampritir Rupakar
Keywords:
- Nature,
- livelihood,
- struggle,
- culture,
- contradiction,
- society,
- harmony
Abstract
Hamiruddin Middya is a popular young writer of modern Bengali short stories. Has a storyteller, he has a cheap remarkable acclaim within hey remarkably short span of time. He was born into a peasant family in the lalmati region of the district of Bankura. Consequently, he has mingled closely with the local people and has shared intimately India Joys and sorrows. His stories feature the common people individuals of robust character and resilince. Themes of poverty livehood struggles and religious dogmatism frequently recur in his negatives. In the majority of his stories, he places his primary focus on Muslim society. His portable short stories include 'Aaj railerdark’, ‘mat Rakha’ etc Driving by a sense of social responsibility he has brought the realities of Muslim society to the forefront of his work. A significant portion of his short stories is dedicated to poverty, striken Muslim protagonists and there ardous, struggle for survival; they depict agriculture as the sole means of livelihood alongside vivid descriptions of rural Bengals cannals, wetland, rivers lush green farmland and picturesque natural environment. Beyond the geographical and environmental backdrop his stories also reply to the contemporary political climate the rep ripoles of which have invitable reased the villager and rural area. Furthermore, he addresses various government initiative and the manner in which they are implementedIn this article showed he explores social customs religious beliefs and superstitions highlighting the inherent conflict and Contradictions among them as well as the eventual ly resolution of such tension. In the story 'Mat Rakha’, one discerns a message championed by the Imam Sahib; that humanity, human, dignity and communal harmony transcend the strictures aap religious orthodoxy, conversly in the narrative examines the complexities and ambiguities surrounding religious practicles among both Hindu and Muslim. Emerging from this very context of crisis is the figure of an elderly women a savior of shots who had successful overcome are infertility after seeking blessing at the pir's shrine. The retualistic cooking and distribution of' khichuri’ (a mixed grain dish) as a suffering and the subsequent acceptable of this food by people all classes, irrespective of caste are religion epistom if profound synthesis of tradition. Thus, Hamiruddin middya as a masterful architect of communal harmony in contemporary literature.
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References
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