আলো-আঁধারের অনুষঙ্গ ও নীরেন্দ্রনাথ চক্রবর্তীর কবিতা/ ALO - ADHARER ANUSANGA O NIRENDRANATH CHAKRAVARTIR KOBITA

Abstract

While the primary aim of poetry is to evoke an appreciation of beauty, it also instills inspiration, courage, and wisdom in the reader. Through his poems, one observes how the poet—amidst the multifaceted interplay of Alo - Adhar—refused to remain submerged in darkness; instead, he overcame the despair of a weary mind and moved towards the light. This journey undoubtedly offers inspiration, courage, and valuable lessons. It is worth noting that this discussion focuses primarily on the poetry collections ranging from ‘Nilnirjan’ to ‘Nakshatra Joyer Jonyo’, although the multifaceted nature of the light-shadow dynamic persists in his later works as well. Across various mythologies, folktales, and religious beliefs—both domestic and international—light emanating from the sun is revered as the source of life itself. Within Indian tradition, this light is regarded not merely as the origin of life but as a symbol of auspiciousness, power, and the Divine. Conversely, in Indian philosophy, darkness symbolizes sorrow, melancholy, and malevolent forces; poets have employed light with this very significance since ancient times. The imagery of light and shadow features prominently in the works of Rabindranath Tagore as well as in the writings of post-Tagore poets. An analysis of these motifs in Nirendranath Chakraborty’s poetry reveals how he was wearied by the darkness of subjugation, loneliness, despair, gloom, and exhaustion—feelings stirred by the social upheavals of the pre- and post-independence eras. Yet, darkness also served as a catalyst for the poet’s introspection; within this darkness, he sought to delve into his inner self and discover his true essence, ultimately finding a vibrant, living light amidst the gloom. Refusing to remain imprisoned by the encroachment of darkness, he embarked on a journey toward the light. This essay attempts to explore these underlying contexts regarding the use of light and shadow in his poetry.