রবীন্দ্রসংগীতে প্রেম : ‘তোমার পরশ থাকুক আমার হৃদয় ভরা’/ Rabindrasangeetey Prem : ‘Tomar Parash thakuk amar hridoy bhora’

Abstract

Rabindra-sangeet, the bouquet of songs composed by Rabindranath Tagore, represents one of the richest expressions of human emotions in Indian music and literature. Among its central themes, love occupies a unique and multifaceted position, extending far beyond romantic attachment to encompass spiritual devotion, human compassion, universal brotherhood, love for nature, and patriotic affection. This study highlights the concept of love in Rabindra-sangeet through a literary, philosophical, and musicological perspective, examining how Tagore transforms love into a universal principle that unites the individual with humanity, nature, and the Divine. Drawing upon selected songs from various thematic categories—including Prem, Puja, Prakriti, and Swadesh—the research investigates the evolution and diversity of Tagore’s understanding of love.

           The study demonstrates that Tagore’s philosophy of love is deeply influenced by the Upanishads, the Bhakti tradition, Vaishnava literature, and his own humanistic worldview. In Rabindra-sangeet, love is portrayed not merely as an emotional experience but as a path toward self-realization, ethical living, and spiritual liberation. Romantic love is presented with subtle psychological depth, emphasizing longing, union, separation, sacrifice, and emotional refinement rather than physical desire. Simultaneously, devotional songs reveal love as complete surrender to the Divine, while songs dedicated to nature celebrate an intimate relationship between human beings and the natural world. Patriotic compositions reinterpret love as responsibility, service, and dedication to the motherland without promoting narrow nationalism, reflecting Tagore’s commitment to universal human values.

           The research further examines how musical elements—including melody, rhythm, and expressive performance—enhance the emotional and philosophical dimensions of love in Rabindra-sangeet. Tagore’s careful selection of ragas, talas, and lyrical imagery contributes significantly to the communication of diverse emotional states, making his songs timeless artistic expressions. By integrating literary analysis with musical interpretation, the study highlights the inseparable relationship between text and melody in conveying the complexity of love.

           Ultimately, this study argues that the concept of love in Rabindra-sangeet transcends conventional boundaries of personal affection and emerges as a comprehensive philosophy of life. Tagore’s songs advocate harmony among individuals, communities, nature, and the Divine, making love the foundation of universal peace, compassion, and human dignity. The findings underscore the enduring relevance of Rabindra-sangeet in contemporary society, where its message of inclusive and transformative love continues to inspire cultural understanding, moral development, and spiritual enrichment across generations.