প্রহসনকার মধুসূদনের সামাজিক প্রাঞ্জলতার অকৃত্রিম নিদর্শন দুই প্রহসন

Abstract

Michael Madhusudan Dutt is a notable name in the history of Bengali literature. He has taken the Bengali literary field to an immense height in a phased manner of prosperity. His achievements are universally known today. However, in the literary field ‘Akei Ki Bole Savyata?’ (1860); Buro Saliker Ghare Roe’ (1860); he was intimately associated with the mentality of the people, regardless of wealth. From that social awareness he wrote the true meaning of civilization. He built a picture of the helplessness of the lower community of the same society. This experience of Madhusudan has been reflected in the farce. HaraKamini, NrityaKali or Fatema are one of the most popular characters of the time. The statistics of their lives and the demands of their lives are almost the same. The difference is just in financial comfort. The need for women's rights is needed - it has been caught in various writings of Madhusudan at various times. It can be said that the rise of these women at the beginning of the later 'Birangana'. These two renowned farces are the way of a social reformation to the reader.