Theatrical Consciousness and the Reinterpretation of Draupadi : Context ‘Nathabati Anathabat’ / শাওলী মিত্রের নাট্যচেতনার দ্রৌপদীর নবমূল্যায়ন : প্রসঙ্গ নাথবতী অনাথবৎ

Abstract

Shaoli Mitra – A Bold and Unique Thinker, Playwriter, and Actress. Shaoli Mitra’s famous play, Nathavati Anathavat (1983), is a poignant depiction of Draupadi's suffering, inspired by the Mahabharata. However, through the exquisite weaving of dramatic elements, the playwright transforms the story into a contemporary narrative of women's struggles. The entire play unfolds as a storyteller narrates the tale to the audience through various expressions and techniques.

            Shaoli Mitra draws specifically from Draupadi's story and the social conditions of that time, choosing to focus on the position of women from beginning to end. The primary theme of the play revolves around the social plight and helplessness of women, with Draupadi as the central character. Through Nathavati Anathavat, Shaoli Mitra raises her voice against the injustices endured by Draupadis across ages. Her Draupadi becomes a representative of the politically and socially oppressed women of the present era.

             The cruel societal norms devastate Draupadi's life. Despite having husbands, she suffers the pain of abandonment and the betrayal of trust. The playwright vividly portrays this anguish. The play sheds light on the cowardice, greed, lust, and exploitation of men, exemplified by the Pandavas' decision to gamble Draupadi away to protect their empire. Draupadi's desires, agency, and even her womanhood were of little significance to them, except for Bhima, who at least tried to shield her from humiliation and suffering.

             When Yudhishthira gambled Draupadi away during the dice game, Bhima was the only one to rise in protest against his brother. Yet, neither Draupadi nor the playwright places faith in the idea that brave husbands will protect oppressed women like her. Consequently, Draupadi calls for war to rid society of the sins and atrocities perpetrated by individuals like Dushasana and Duryodhana. Through the extraordinary vision of a woman from the Mahabharata, Shaoli Mitra seeks to critique contemporary times and society. This article attempts to explore that perspective.