Gobardanga's Tradition of Dramatic Culture and Dramatic Practice (1870–2022): A Socio-Cultural Revie/ গোবরডাঙ্গার ঐতিহ্যে নাট্যসংস্কৃতি ও নাট্যচর্চা (১৮৭০- ২০২২) : একটি সমাজ-সাংস্কৃতিক পর্যালোচনা

Abstract

An exploration of the history of drama practice in Gobardanga reveals the presence of more than 150 drama groups in the region. Gobardanga’s theater journey began in 1878 AD, greatly influenced by the location of the local landlord’s house and subsequent socio-cultural developments that spurred dramatic activity. Although it started with a single group in the 1870s, over the following decades, around 24–25 drama groups have consistently engaged in theatrical practices. To further enrich this tradition, a Drama Academy School was established to foster research and development not only in acting but also in the broader field of drama.

    Some of the notable contemporary groups include Rupantar (1973), Navik Natyam (1977), Shilpayan (1980), Naksha (1981), Shilpanjali (1987), Rabindra Natya Sangstha (1995), Bihunga (2010), Mridangam (2012), Chittopat (2012), and Rangabhumi (2013). In addition to stage performances, these groups organize workshops and seminars, publish drama magazines, and host theatre festivals. Many original plays have emerged from these groups, contributing significantly to Bengali literature.

   Gobardanga is often referred to as the “City of Theatre” or the “Village of Theatre.” Its theatrical influence extends beyond the locality to various districts of West Bengal and serves as a vital link in the broader network of Indian drama. This research paper seeks to analyze the historical development of Gobardanga’s socio-cultural identity through the lens of its vibrant theater culture.