রবীন্দ্রনাট্যের রূপান্তর : ‘রাজা ও রানী’, ‘তপতী’/ Metamorphosis of Tagore’s Play : ‘Raja o Rani’, 'Tapati'

Abstract

This paper explores the evolution of Rabindranath Tagore’s dramatic vision in the later phase of his literary career, focusing on a comparative analysis of ‘Raja o Rani’ and ‘Tapati’. The study traces Tagore’s transition from poetic to prose drama and highlights his movement from the Shakespearean model toward an independent dramatic identity. While Raja o Rani reflects a lyrical, verse-based form influenced by early romantic aesthetics, Tapati represents a matured synthesis of realism, humanism, and spiritual awakening through prose dialogue. The paper examines changes in structure, dialogue, characterization, and thematic expression to demonstrate Tagore’s self-critical engagement and creative refinement. Ultimately, Tapati stands as a testament to Tagore’s transformation from poetic idealism to profound humanistic and spiritual realization within the framework of modern Bengali theatre.