Prasanggo : Raag prakar/ প্রসঙ্গ : রাগ-প্রকার

Authors

  • Dr. Sutapa Bandyopadhyay ড. সুতপা বন্দ্যোপাধ্যায় ত্রিশুলাপট্টি, বোলপুর, বীরভূম Author

Keywords:

  • Gandhorbo,
  • Marg,
  • Rāga,
  • Deshi,
  • Ālapti,
  • Bostu,
  • Dhrubā

Abstract

If we try to research the evolution of ragas and ragini by churning out the famous texts of ancient Indian music, we will definitely come to the conclusion that the first song in ancient times was 'Gandharbo rag' or 'Marg Raga', and later in the post-Christian era, Desi Raga emerged. The types of Gandharva or Marga ragas are: - 1) Gram-ragas, 2) Upo-ragas, 3) Bhasha-Vibhasha-Antarbhasha ragas. On the other hand, there were different types of regional ragas - 'raganga', 'kriyaanga', 'pure salag-sankirna', etc. The ancient Gandharva ragas were performed in two ways. For example- a) In songs with one object called 'Dhruba' b) In songs with one to seven objects called 'Prakaran'. But the native ragas were used in songs with 'Prabandho' or 'Pada', where there were two to four 'dhatus' (Udgraha, Melapak, Dhruba and Avoga). Since raga was used in 'Prabhandagan', 'alapti' or 'alap', that is, the unbounded form of raga, was necessarily expressed.

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References

১. মতঙ্গ-মুনি, বৃহদ্দেশী, বঙ্গাক্ষরে রূপান্তর: ড. প্রদীপকুমার ঘোষ; (১৯৮৬, তৃপ্তি ঘোষ), পৃ. ৭, ৬

২. নিঃশঙ্ক শার্ঙ্গদেব, সংগীত-রত্নাকর, অনুবাদ ড. সুরেশচন্দ্র বন্দ্যোপাধ্যায়, (রবীন্দ্র ভারতী, ২০০১), রাগ – বিবেকাধ্যায়, পৃ. ৬৬

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Published

2025-06-10

Issue

Section

Articles

How to Cite

Prasanggo : Raag prakar/ প্রসঙ্গ : রাগ-প্রকার. (2025). TRISANGAM INTERNATIONAL REFEREED JOURNAL, 5(2), 910-913. https://tirj.org.in/tirj/article/view/221